Ca' Foscari - Harvard Summer School

Having reached its 10th edition in 2015, the Ca’ Foscari – Harvard Summer School continues to head towards another decade of unique experiences with the upcoming 2017 programme.

In addition to providing an intercultural study environment over the summer, the CFHSS also gives you the opportunity to take part in numerous interesting and engaging extra-curricular activities alongside your Ca' Foscari or Harvard peers, which allow a glimpse into aspects of Venetian life, and which provide a truly international and unique experience.

Students enrol in two classes from a range of courses in Economics, Environmental Science and the Humanities, and credits (6 ECTS per course) are recognised at both Universities.

Winner of the CFHSS Creative Experience Competition, 2016

2018 Programme

If you are interested in teaching on the 2018 programme, please find further information here [IT]. Deadline: September 10th

Culture Classes

During the first two weeks (June 13 - June 23) students take short courses called "Culture Classes", designed to give them insight into various aspects of Venetian and Italian history and culture. Harvard students are required to take two Culture Classes. Ca' Foscari students are welcome to participate if there are places available, and there are in fact 10 places assigned for each University for English Theatre. To sign up you need to fill in the form which will be sent by email.

Please note that the following combinations are not possible due to schedule overlaps:

  • Art History and Venetian Gardens
  • Design and Theatre
  • Literature and Ancient History

Oi! Shakespeare! Traveling through Shakespeare’s Veneto

Jenni Lea-Jones and Alessandra Quattrini
(Short title: Theatre)
Classroom: Aula Barbarigo

A practical exploration into the Italian works of William Shakespeare with professional actors. Getting in-depth and personal with the works he set in the Veneto region and trying to discover if the mysterious Shakespeare ever set foot in the Serenissima by analysing and working on the text.
These workshops will look at Shakespeare from an actor's view point and utilise the skills required to navigate a classical piece of theatre: voice, body and detective work.

Professional actors Jenni Lea-Jones, who has worked all over the world in various productions and for different companies including the BBC and Alessandra Quattrini, acting coach and actress working mainly in English speaking productions will teach the skills required to move a text from the page to the stage.

NB: Differently from the other Culture Classes, up to 10 students from Ca' Foscari will definitely be accepted into this course (along with 10 from Harvard).


Tuesday June 13th, 2-4pm
Wednesday June 14th, 2-4pm
Monday June 19th, 2-4pm
Wednesday June 21st, 2-4pm
Friday June 23rd, 1pm onwards
Saturday June 24th: performance at the Opening Ceremony!

A literary history of Venice

Enrico Palandri, Professor of English Literature
(Short Title: Literature)
Classroom: 0E, except Wed 14th, Aula 24 San Sebastiano

Using Literature as a springboard, we will look at three texts in class: one late medieval or early renaissance exploring early venetian life, its origins and the role of poetry at the end of the middle ages; another, an excerpt from Lorenzo Da Ponte's autobiography, in order to investigate the end of the Republic of Venice and the libertines; and the third, by Calvino (invisible cities), to see the never ending fertility both of the city and literature.

The course will include a two hour visit to Querini Stampalia where the library, Carlo Scarpa's garden and the collection of painting will offer a chance to delve into different epochs of the city.


Wednesday June 14th, 11.30am-1.30pm
Monday June 19th, 11.30am-1.30pm
Wednesday June 21st, 11.30am-1.30pm
Thursday June 22nd, 9:30-11:30am, visit to Querini, meet in Campo S.Maria Formosa

Survival Italian

Italian language instructor at Ca' Foscari University
(Short Title: Survival Italian)
Classroom Group A: 0D (except Wed 14th, 0B)
Classroom Group B: Tue 13th Aula 14, San Sebastiano / Wed 14th Aula 24, San Sebastiano / Mon 19th & Wed 21st, 0E

In this course students will develop basic receptive skills, listening and reading, and basic expressions to communicate in an Italian context and an understanding of way of life in Venice. Upon completion of this course, students should be able to: 

  • provide basic information in Italian about themselves and daily activities;
  • participate in a simple conversation on everyday topics;
  • read and pick out important information from authentic texts (e.g. menus, signs, schedules, academic forms, etc.);
  • use and understand essential vocabulary related to everyday life;
  • interact within the academic context. (ask information to personnel, read and fill the most important forms (libraries, Computer rooms, other facilities)


Tuesday June 13th, 9-11am
Wednesday June 14th, 9-11am
Monday June 19th, 9-11am
Wednesday June 21st, 9-11am

The Gardens of Venice and the Veneto

Jenny Condie, author
(Short title: Venetian Gardens)

The course explores the development of the garden as a cultural artifact in Venice and her territories on the mainland.  From smallholdings used for growing food, the lagoon garden became gradually imbued with metaphorical, religious and spiritual significance, so that by around 1500, Venice boasted a dazzling diversity of garden types: monastery and physic gardens, botanical gardens, philosophical gardens and gardens for theatrical and musical entertainment. These developments culminated in the creation on the mainland of some of Italy’s most spectacular Renaissance and baroque gardens, built in response to Venice’s expansion westwards and the institution of a vast villa-building program on the part of the Venetian nobility. The history of the garden provides a valuable and fascinating perspective on the political and cultural history of the Venetian Republic. Students will take a full day trip to Verona to see the Giardino Giusti, and will also visit some local locations here in Venice.


Tuesday June 13th, 11.30am-1.30pm (classroom, 0D)
Friday June 16th, trip to Verona, meet at the train station (Ferrovia), time TBC
Tuesday June 20th, 9:30am-12:30pm, gardens in Venice, meeting place TBC

“[...] I fall at the feet of my lord seven times, and seven times”: Diplomacy always matters

Paola Corò, lecturer in Assyriology
(Short Title: Ancient History)
Classroom: 0B, except Wed 14th, 0B

Diplomacy is as important now, as it was in the past, as can be seen in the correspondence between the Kings of the main territorial states of the Ancient Near East in the 2nd half of the 2nd millennium BCE, and in the treaties they established. Then as now, in order to be effective, communication had to follow specific rules, dependent on the role of the involved parties:  vassal kings depicted themselves as servants of bigger kings, bowing ‘seven times, and seven times’ at the feet of their lords; while same-level kings approached each others as brothers.

This course explores the role of diplomacy and international relations through an analysis of the lexicon and the ideology of the royal correspondence and the treaties exchanged by the so called “club of the Great Powers” (i.e. the leading states during the 2nd mill. BCE), with the aim of investigating the importance they played in shaping internal and external propaganda, exactly as it happens today. Students will also explore the mysteries and difficulties of encrypting messages in clay using cuneiform writing, the alphabet used in documents at the time.


Wednesday June 14th, 11.30am-1.30pm
Monday June 19th, 11.30am-1.30pm
Wednesday June 21st, 11.30am-1.30pm
Thursday June 22nd, 9:30-11:30am

Venice: Art and history, and introduction

Myriam Pilutti Namer, Lecturer of Art History
(Short Title: Art History)

The course will introduce the history of Venice through a selection of the most relevant works of art and architecture present in the city. Following a chronological line, we will examine the political and social system of the Republic of Venice and the most prominent moments of the city’s historical evolution will be linked to specific achievements in the field of urbanism, architecture and fine arts. Starting with the mythical foundation of Venice in 421 AD and the byzantine period, the medieval city and the growing economic power and territorial expansion, the Venetian Renaissance and the impact on the urban development, and finally the political and economic crisis of the Baroque era and the fall of the Republic in 1797. Students will take a full day trip to Padova to see the Scrovegni Chapel, and will visit sites around Venice to investigate the problems of the contemporary "Serenissima".  

The course aims to allow students to appreciate Venetian monuments by situating them in their historical context. Furthermore, the course will stimulate students to consider the city not just as an open-air museum, but as a vital organism where the richness of history and the specific morphological and urban qualities are the basis for the construction of the future.


Tuesday June 13th, 11.30am-1.30pm (classroom Aula 14, San Sebastiano)
Friday June 16th, trip to Padova, meet at the train station (Ferrovia), time TBC
Tuesday June 20th, 9:30am-12:30pm, art history in Venice, meeting place TBC

Made in Italy: a history of Italian design

Martino Pietropoli, Architect and lecturer in Design
(Short title: Design)
Classroom: 0D, except Wed 14th, 0B

Italy is renowned for being a global leader in design, producing luxury goods and setting trends all over the world. From interior design to industrial design, from architecture to fashion, "Made in Italy" has become a label that is synonymous with high-quality, innovative creativity and immaculate execution. This course will provide an overview of the history and development of Italian design, from the Roman Empire to Gutenberg and the printing press, from the Industrial Revolution to Olivetti, from Pop Art to Press Play and the Salone del Mobile. The course will also investigate the crucial questions: What is design? What is a designed object? Where are we today? Technology, computers, software, movies, music, media, digital, world, marketing, fashion, all these elements show that design is everywhere.


Tuesday June 13th, 2-4pm
Wednesday June 14th, 2-4pm
Monday June 19th, 2-4pm, visit to Stanze del Vetro, meet at Zattere
Wednesday June 21st, 2-4pm
Friday June 23rd, 2-4pm

Regular Courses


Orientation: June 12 - 23
Classes: June 26 - August 3


International Business Law

Fabrizio Marrella

Classroom: 0E

Course description
In today's global village, business decisions are no longer local. Even the smallest company may engage in transactions that have international legal implications. As the world gets smaller the ability to access foreign markets grows ever wider. Companies may seek new sources of supply overseas, sales may cross national borders to customers located abroad, joint ventures and other forms of direct investment in a foreign country abound. Resolving disputes arising from such operations may lead to multistate litigation and/or to arbitration. Many legal systems may become relevant in arbitration including transnational principles (such as the Unidroit Principles) or the Lex mercatoria, expressions of the on-going process of formation of a global law for international commercial contracts. This course is designed to introduce students to the problems affecting cross-border transactions from a legal standpoint. International Private and Public Law aspects of business transactions will be examined. We will examine the legal framework of international commerce pointing out the potential constraints posed by multiple sources of law, cultures, ideologies, currencies, and government policies to effective international business negotiations.

Prerequisites: none

icoSyllabus120 K

Job Discrimination and the Gender Pay Gap

Matija Kovacic

Classroom: 0E

Course description
Gender equality is not just about economic empowerment. It is a moral imperative, it is about fairness and equity, and includes many political, social and cultural dimensions. In the aftermath of the Great Recession, there is now an urgent need to focus on the economic case and on how changes in the labor market might provide better economic opportunities for both men and women. In this course we will study a wide range of economic issues faced by women, and examine how these issues have changed over the course of the 20th century in Europe and in the USA. We will learn and use the tools of microeconomic analysis to understand how economists model women's economic decision‐making, and to gain insight into how microeconomic theory can explain some of the changes faced by women. The course will be comprised of lectures and student‐led discussions.

Prerequisites:Econ S-10ab or equivalent is highly recommended.


Dispute Resolution

Marco Licalzi

Classroom: 0F

Course description
The purpose of this course is to provide students with a sound understanding of the main theories underlying the search for equity or fairness in a dispute. This knowledge is used to set up and solve typical negotiation or bargaining problems arising in business and economics. The necessary skills are developed by working out common applications and examples in typical setups. The examples range from the Bible to Wall Street, and are often inspired by the news. The target audience includes any undergraduate student with a serious interest about negotiation, bargaining, fair division, and equity. The course has a theoretical bent, and
tries to balance case studies and formal arguments.

Prerequisites: You are expected to have completed one year of college mathematics, or otherwise being able to differentiate elementary functions, compute the expected value of a random variable, and solve small systems of linear equations (Econ S-10a or equivalent; Math S-1a or equivalent). Some previous exposure to worksheets and basic game-theoretic reasoning is helpful. (If you know what Excel and a Prisoners' Dilemma are, you should be fine.)


Redeeming Keynes

Steve Marglin

Classoom: 0D

Course description
This course explores the birth, death, and resurrection of The General Theory of Employment, Interest and Money from the Great Depression (1929-1939) to the Great Recession (2008-?). A major goal is to lay out a coherent argument that, for all its theoretical innovation, The General Theory did not deliver: the argument why a market system, even an idealized system with all of the warts removed, may fail to provide jobs for willing workers. In the process we will examine the orthodoxy that Keynes attacked and that resurfaced in the 1960s and '70s; the key concepts underlying the models implicit in The General Theory; and the attempts of the "Keynesian" mainstream to make peace with both Keynes and orthodoxy. We will also explore the applicability of The General Theory to the long run. A final section will view the present economic difficulties through a Keynesian lens.

Prerequisites: introductory economics (at the level of Economics 10 or US & W 17 for Harvard students; for Ca' Foscari students a good command of Economia Politica (Principles of Economics), Politica Economica (Economic policy)); a year of college calculus allowing students to understand mathematical notation and concepts (derivatives, maximization, etc) even though mathematics will be used very sparingly.

icoSyllabus538 K

Organizational Theory and Design: how to design a company of strangers

Andrea Pontiggia

Classroom: 0F

Course description
We spend a large part of our life in several different types of organizations. Some organization theorists state that organizational identity is [or structures are] a collective result of personal interactions, strongly affected by cultural and cognitive differences. It seems almost impossible to design organizational structures because they emerge naturally as a collective set of shared beliefs. It follows that a “company of strangers” is an indefinite product, an amalgam of experiences, beliefs, cultural values and personal attitudes. This course explains why organizational forms can or must be designed, how to use organizational rationality to structure activities and processes, how to get the most from our competences and skills following design methods, and how it is possible to deal with individual and collective intentions and goals. Members of a “company” are still strangers and their individual efforts and aspirations can be connected through a common design process. The art of conceiving of and producing a design plan is presented, using the experiences of international firms and new management practices.

Prerequisites: none

icoDraft syllabus143 K


Math 1b

Robin Gottlieb / Brendan Kelly

Classroom: 0E / 0D

Course description
The language of mathematics has evolved over time, but Galileo's famous statement that, "the book of the universe is written in the language of mathematics," is as true today as it was then. In this course, students deepen their foundation in modern mathematics and learn more about mathematical applications in other disciplines. The course focuses on three related topics which together form a central part of the language of modern science: applications and methods of integration, infinite series and the representation of functions by power series, and differential equations, with an emphasis on modeling and qualitative analysis. The material introduced in this course has applications in physics, chemistry, biology, environmental science, astronomy, economics, and statistics.

Prerequisites: Students are expected to be familiar with trigonometry, inverse trig, exponentials, and logarithms, and have a basic understanding of elementary calculus, including the notion of a derivative, differentiation using the product, quotient, and chain rules, and definite and indefinite integrals.

NB: Successful Ca' Foscari applicants will have the possibility of participating in a brief trigonometry refresh course prior to the beginning of the programme. More information available soon.

icoUpdated Syllabus (May 2017)

Environmental Science

The Earth's Climate: past, present and future

Carlo Barbante

Classroom: 0F

Course description
This course deals with past present and future climate changes as evinced from the most recent studies on palaeoclimate archives, such as marine sediments and ice cores. The techniques available for the study of climate will be carefully reviewed and the most recent results will be presented. Climate changes involve multiple interactions among different components of the climate system, such as the atmosphere, the ocean, the earth, the biosphere and the ice sheet. One way to make sense of this complex system is to understand the inherent rate at which each of its components respond both to the primary causes of climate change and as part of a web of interactions within the system. Testing of hypothesis by means of climate models strongly supports the experimental data presented in the course.

Prerequisites: none

icoSyllabus124 K


American Literary Expatriates in Europe

Glenda Carpio

Classroom: 0D

Course description 
This course explores the fiction and travel literature produced by American writers living in Europe, from Henry James to the present. In the course of this period the relationship between old to new world continuously evolves. While Europe becomes the battlefield for two bloody World Wars as well as a museum of the past, the United States assumes a dominant role on the world stage. At the same time, America also betrays key fundamental ideals as it seeks to extend its sphere of influence. American writers living and traveling in Europe reflect on these shifts and changes while also exploring the complex set of contradictions that expatriate life reveals. For African American writers, for instance, Europe represents both a site of liberation from the oppression of American color codes and also an area of the world where they are often exoticized. We focus on American literature set in Europe with readings that include but are not limited to essays, travelogues, poems, novellas, novels, and short stories. 

Prerequisites: none

icoDraft syllabus100 K

The Ethics of Identity

Jay Harris

Classroom: 0E

Course description 
Personal identity is, to say the least,a slippery concept. Yet insofar it constitutes whoand what we are—whether it is explicitly acknowledged or not—identity has deep ethical and political implications, and “identity politics” is one of the most significant contemporary dimensions in political and social thought. This class, which is structured around Anthony Appiah’s 2005 book The Ethics of Identity, delves into the ethical, social, and political questions around identity. Each section of the book will be complemented by readings that put the issue in a larger context.These textsinclude a few of the foundational philosophical works for contemporary debates around identity, contemporary philosophical analyses of the underlying issues, and critiques of the discussion of identity as understood by philosophers like Appiah. The purpose of the course is not to try to answer the questions, but to have a rich and open discussion of the issues, and help shapea richer and more nuanced private and public deliberation on identity and ethics beyond the classroom.

Prerequisites: none

icoSyllabus111 K

Venetian Art and the Bible

Gordon Teskey

Classroom: 0B

Course description
William Blake called the Bible “the great code of art.” Nowhere was this statement truer than in the famous Italian centers of art, Rome, Florence, and Venice. But the biblical culture of Venice was special because of her rich contacts with the East: with Islam, with the Greek culture of the Eastern Mediterranean,and with the Holy Land itself.  The great cathedral of Venice, Saint Mark’s, is named for the city’s patron, who wrote the oldest and most venerable of the Christian gospels. The Bible provided the artists of Venice with a rich fund of subjects for painting and sculpture. This course proposes to give students an outline of the contents and structure of the Bible similar to what most people in Venice would have had during the period when its greatest art was produced. The aim is for students to be able to look at a work of Venetian art and “read” not only its biblical subject but also its biblical thinking, especially the subterranean connections between episodes.We will also consider how extra-biblical subjects—e.g., saints’ legends and episodes from the apocrypha—are themselves extensions of biblical reading. Meeting times will be about equally divided between classroom discussion and field trips to sites around Venice. Among the more important of these are Saint Mark’s cathedral, the Doge Palace, the Basilica dei Frari, the Scuola di San Rocco (with its amazing Tintorettos), the Basilica di Santi Giovanni e Paolo, the Basilica della Salute (with Titian’s biblical paintings in the sacristry), and the Accademia gallery, with its great hall containing Veronese’s gigantic and exuberant “Feast in the House of Levi” and Titian’s large but intimate“Pietà,” with its subtle biblical meanings adopted to personal expression. The course’s final class will conclude in this room, in front of these contrasting visions of the meaning of life, seen through the lens of the Bible.

Prerequisites: none

icoSyllabus87 K


Joyce E. Chaplin

Classroom: 0D

Course description 
It may seem that questions about human responsibility toward the natural world are new, but there are long-standing traditions within Western philosophy of arguing for ethical behavior in relation to nature, whether to benefit humans or to help non-humans. This course offers a critical and historical analysis of selected texts that identify human beings as a distinctively ethical species within the natural world, with particular attention to the emergence of normative theories that rank humans with and against other natural beings. Topics include: definitions of wilderness and property; agriculture, industrialization, and consumerism as historic transformations of humanity; social hierarchies based on perceived natural abilities; ideas of natural rights; conservation and environmentalism; and animal rights. Readings include Aristotle, Locke, Kant, Rousseau, Bentham, Malthus, Mill, Emerson, Marx, Darwin, Nietzsche, and Singer. We also examine how contemporary debates over the human place within nature have continued to cite and critique normative traditions defined in the past.

Prerequisites: none


Shakespeare's Venice: Jews, Blacks, Muslims, and Christians at the Origin of the Modern World

Shaul Bassi & Stephen Greenblatt (guest lecturer)

Classroom: 0F

Course description 
A great early modern metropolis and a richly symbolic landscape, Venice is the setting of two seminal plays by Shakespeare, a comedy and a tragedy. The Merchant of Venice and Othello have made the Jewish moneylender Shylock and the Moor Othello the emblematic ethnic and cultural outsiders, figures who both foreshadow and challenge the modern notion of a multicultural community. This course will analyze the Shakespearean texts, read their principal sources, and chart their controversial critical and theatrical histories.  We will examine the rich cultural and literary material that informs the plays, including the representations of African, Jews and Muslims;, and their multiple resonances in different times and places, including modern adaptations in fiction and film. Our presence in Venice will be crucial to our understanding:  we will explore why the setting for these plays had to be here and not elsewhere, and we will visit Venetian sites that illuminate the Biblical, classical, and ethnographic contexts that forged Shakespeare’s notions of cultural and religious difference. 

Prerequisites: none, but a background in Shakespeare is highly advisable.

icoSyllabus142 K

Venice and the Classical Past

Lorenzo Calvelli


Course description
Venice is probably the largest city in Italy that did not grow on top of a classical settlement. Venetians often supported the idea that their hometown was born from the ashes of the Roman Empire, thus remarking their political independence since the earliest stages of their history. At the same time, however, numerous objects dating to the Classical period, including both artworks and simple building materials, can be found in Venice and in the main islands of the lagoon. The course intends to explore the shifting relationship that Venice had with the Greco-Roman world, investigating in particular how classical antiquities were used and re-used in Venice itself, in the islands of the lagoon, and in the Venetian maritime empire.

Prerequisites: none; an essential understanding of Latin would be useful, but the language basics necessary to reach course requirements will be covered in class.

icoUpdated syllabus141 K

Orientation Activities

Orientation on June 12 marks the beginning of two introductory weeks before courses start on June 26. During these first two weeks students participate in a range of cultural activities, including short seminars, trips around Venice and its surroundings, typical "Venetian" activities such as voga, and much more. And the best part? Students can meet their classmates and have a chance to get to know them before classes start!

These two trips are offered to all students in the programme as we are often asked to organize activities for everyone – in order to help us meet this objective Harvard students must sign up to one, but can also attend both if they wish. Ca' Foscari students may still have exams but we encourage you to find the time! To sign up you need to fill in the form sent by email.

1. The Origins of Venice
Thursday June 15, leaving 8:30am (San Giobbe)

This full day trip will trace the early origins of Venice by boat through the unique Venetian lagoon. We start with Altinum, the ancient Veneto coastal town with origins tracing back to Roman times. Following its devastation by barbarians in the high middle ages, the town was gradually abandoned by its inhabitants, who sought refuge on small islands in the Venetian lagoon. From Altinum we will in fact go by boat to one of the first islands to be inhabited, Torcello, where you will be able to visit two very important and peculiar Medieval churches constructed out of beautiful marble stone from the ancient Mediterranean cities. One of these, the “Basilica di Santa Maria Assunta” houses impressive golden mosaics and a very important piece of artwork known as the “Last Judgement”.

From Torcello students who wish to do so will have the opportunity to carry on to another of the first islands of Venice to be inhabited, Burano, where the brightly coloured houses and the ever-present tradition of lace-making should not be missed. Alternatively, students will return to Venice (Fondamenta nuove) on the boat.


  • Meet at Sacca San Girolamo between 8 and 8:15am (students coming from Crociferi, we will meet you outside the main door at 7:30am
  • Students will finish at Torcello around 3-4pm, and can then visit Burano (if the weather permits), and take the vaporetto back to Fondamenta nuove
  • A packet lunch is provided at Altino

2. Palladio at home
Saturday June 17, leaving 8:30am (Tronchetto)

This morning trip will take students to nearby Vicenza to discover Palladio's home city and the important monuments that he created there. Students will have the chance to be fully immersed in Italian Renaissance, visiting three architectural masterpieces conceived by the great artist Andrea Palladio. The Basilica Palladiana was built in the 15th century and re-shaped in mid 16th century by Palladio, assuming its current stunning features. Palazzo Chiericati was conceived by Palladio as a private building for Girolamo Chiericati. Seeing as from 1839 onwards the Palazzo has hosted guests at the local art gallery, presenting paintings and sculpture from the Renaissance to the contemporary era, students can visit both the interior and the exterior of the magestic building. Finally, students will visit the glorious Teatro Olimpico, part of UNESCO World Heritage. Designed by Palladio but completed just after his death, the theatre is one of only three Renaissance theatres remaining in existence, and it is still used several times a year.

Students will be divided in two groups for the first part of the visit (Teatro Olimpico and Palazzo Chiericati). After that, they will visit the Basilica Palladiana as one group, and will then be free to visit the city on their own for lunch before returning to Venice in the mid-afternoon.


  • Meeting point A: People Mover at 8:10am
  • Meeting point B: Tronchetto bus stop at 8:25 at the latest
  • Students will finish in Vicenza around 1pm, and the bus will leave again around 3pm (times may vary slightly!)

Framing Activities

From Venetian rowing (voga) to contemporary art at the Biennale, from visits to sites of interest in Venice and the Veneto region to classes in survival Italian...don't miss out on the framing activities in 2017!

Biennale d'Arte di Venezia

Guided visit to the Biennale and in-depth seminar

Every two years Venice hosts the Biennale d’Arte di Venezia, one of the world’s oldest art exhibitions that sets precedents for the aesthetic trends.  It was first staged through a resolution by the City Council on April 19th 1893, which proposed the founding of a "biennial national artistic exhibition" to take place the following year in order to celebrate the silver anniversary of King Umberto and Margherita of Savoy. The exhibition takes place over two main locations: the historic Venetian gardens created by Napoleon Bonaparte, the Giardini, which house permanent pavilions for 30 nations that exhibit their artists’ work, and the military marina, Arsenale.

You will be given a ticket to the Biennale that gives you entrance to all exhibitions, and you will take part in two main events over 3 (separate) days:

  1. An introductory presentation on the history of the Biennale followed by a guided tour of the two main locations (Giardini and Arsenale)
  2. A workshop held by design expert Martino Pietropoli, who will guide an in-depth casual conversation on specific themes present at the 57th annual exhibition.


  • Thursday June 22, meeting point Giardini Biennale vaporetto stop 12:40
  • Friday June 23, meeting point Arsenale vaporetto stop 9:40

Voga alla Veneta

Venetian rowing: 5 lessons and a “regata finale”
The relationship between Venice and the water that surrounds the city has always conditioned the Venetian way of life and put special limits to the socio-economic development of Venetian society. This activity aims at giving students an insight into the evolution of Venetian rowing, from the height of the Venetian Republic in the 1700's to the present day in which it is practiced as a highly competitive sport, and through the classic gondola ride that has become a "must do" tourist attraction. Each course will be divided into 2 groups of 6 who will learn to row for a total of five lessons over three weeks. The final session will unite all groups from both courses in a "mini regatta" in which the crews will match their skills, and learn the rules of competition.

Meeting points first class:

  • St. Elena vaporetto stop 4:45pm
  • Zattere vaporetto stop 4:20pm


Group A
Monday June 19, 5pm (both groups)
Tuesday June 20, 2pm
Wednesday June 21, 5pm
Tuesday June 27, 5pm
Wednesday June 28, 5pm

Group B
Monday June 19, 5pm (both groups)
Tuesday June 20, 5pm
Thursday June 22, 5pm
Thursday June 29, 5pm
Friday June 30, 9am

Final regatta: Monday July 3, 5pm (both groups)

Canals by Dragonboat

Dragonboating through Venice
Take part in a fun and physical dragon boating excursion in a unique location: the Grand Canal of Venice!  Make sure to wear shorts and sneakers (leave the flip-flops at home) and to bring water bottles….


  • Wednesday, June 14, meeting point on Fondamenta Bolini behind the CFZ at 4:45pm

Silkscreen painting

At the Fallani workshop

From the birth of the laboratory, Fiorenzo Fallani’s direction for artistic production was rediscovered through the use of screen printing. With the subsequent experience of Gruppofallani, the prospectives were amplified and confirmed through a multi-purpose usage in the area of museum installations and display exposition. FallaniVenezia, today, intends to follow on the work started by Fiorenzo Fallani, continuing to seek out collaborations with artists that are approaching the screen print medium, and opening up the laboratory through training courses and hands-on experience with printing. The context is the same that hosted the artists that have animated the laboratory through the years, thus creating a continuity between the past, present and future, with the intention of building important relationships e collaborations with those whose life is the creation, diffusion and commercialization of art.  This workshop will consist in a tour of the historic laboratory where you can discover serigraphy and learn the process.


  • Tuesday, June 13, 5pm (Group A)
  • Friday, June 23, 10am (Group B)

The workshop is located just over the bridge from Crociferi, Campo dei Gesuiti (see the CFHSS programme map)

Scarpa in Venice

Walking tour from Olivetti to Querini
This walking workshop will investigate two important works by Venetian architect Carlo Scarpa through the eyes Guido Pietropoli, a well-known architect who worked closely with Scarpa for many years: the Olivetti shop in St. Mark's Square, and the Fondazione Querini Stampalia in campo S. Maria Formosa.


  • Saturday, July 1, meeting point in Campo Santa Maria Formosa at 9:45am

Survival Italian, continued...

Second module following the Culture Class in Survival Italian
Students who wish to master their basic Italian language skills while in Venice can choose to continue for an extra week. NB: students must have first taken the Culture Class.


  • Monday June 26, 4:15-6:45pm
  • Tuesday June 27, 4:15-6:45pm
  • Wednesday June 28, 4:15-6:45pm

Classes will be at San Basilio.

MOSE: saving Venice

A trip to the HQ
One of the most large-scale interventions in the Venetian lagoon to have ever taken place, the MOSE project involves locating flood barriers in three of the lagoon's inlets in an attempt to preserve Venice from the high tides, or "acqua alta", that inundate the city, particularly in winter months. As a field trip organised for the CFHSS course 'Nature', other students from the program are invited to attend this guided tour of the Consorzio Venezia Nuova HQ, which will provide insight into the characteristics of the lagoon, the dangers it faces, and how the system works.


  • Monday, July 31st, 4:50pm at Bacini Nord vaporetto stop. NB: Students finishing class at San Basilio will need to get the 5.2 vaporetto from San Basilio, and go in the direction of Ferrovia-Fondamenta Nuove.

Programme acceptance and enrolment

Enrolment is not complete unless the International Summer Schools office has received the following by Thursday April 27, 2017:

1. Online acceptance form

2. Receipt of payment

3. Credit recognition request (.pdf file attached)

Admitted students must also read the attached .pdf file "Acceptance procedure and conditions of enrolment".

Admission Requirements (Ca' Foscari students):

To apply for the Ca' Foscari - Harvard Summer School as a Ca' Foscari student you must meet the following requirements:

  • be regularly enrolled (degree seeking) as of 31 January, 2017
  • hold a good working knowledge of English: all applicants are required to sit an assessment in the form of an interview which counts for 60% of the overall selection grade
  • have an above average academic record, counting for 40% of the total points used in the selection process

Minimum academic requirements

The CFHSS is a programme for students of excellence, and to be eligible for selection, students must therefore have a minimum grade, which makes up 40% of the total points used in the selection process.

NB: students without the minimum requirements can still apply, but will be placed in a waitlist, and considered separately by the commission.

Undergraduate students:

1st year students: 85/100 in the High School completion exam ("esame di stato / maturità") or equivalent
2nd year students: an average grade of 26/30 and the completion of 40 ECTS
3rd year students: an average grade of 26/30 and the completion of 90 ECTS

Graduate students:

1st year students: a grade of 100/110 for your Bachelor's Degree (degrees in Sciences, Economics) or 105/110 for your Bachelor's Degree (degrees in Languages and Humanities)
2nd year students: an average grade of 28/30

Credit recognition

All credits gained during the Ca’ Foscari – Harvard Summer School are recognised by both institutions. To receive an academic transcript from the Harvard Summer School, you will need to fill out their application form.

CFHSS courses can be included on your academic transcript at Ca' Foscari in one of three ways:

  1. Elective credits (“esami a libera scelta”)
  2. Extra credits (“esami in sovrannumero”)
  3. Substitution of obligatory – core – credits

Students will be required to fill out a recognition request (available online following selection) in which they specify how they wish the credits to be recognised, in accordance with the guidelines issued by the Head of Studies for each degree programme, as per below.

Credit substitution ("equipollenze")

Further exams may be added. Please contact the office for any queries.

The Earth's Climate: past, present
and future
Carlo Barbante

CM0146 Paleoclima e paleoambiente
CM0445 The Climate of the Past

Math 1B Robin Gottlieb

ET0047 Matematica per l'economia
CT0245 Istituzioni di matematica con esercitazioni

International Business Law Fabrizio Marrella

ET3002 Diritto Internazionale
ET0094 International Law
EM1004 Diritto del commercio internazionale
LM6300 International Business Law
LT0820 Diritto Internazionale
LM6140 International Business Law mod.1 o 2
LT9021 International law

Redeeming Keynes Stephen A. Marglin


Organizational Theory and Design Andrea Pontiggia


Job Discrimination and the Gender Pay Gap Noemi Pace

ET2016 Labor economics
LM6050 Storia delle donne e questioni di genere
LM6310 Global social movements

Dispute Resolution Marco Licalzi

LT9012 International Relations

Shakespeare's Venice: Jews, Blacks,
Muslims and Christians at the origin
of the modern world
Shaul Bassi

FM0374 Teoria della letteratura SP
LT2220 Teatro in lingua inglese

Venetian Art and the Bible Gordon Teskey


The Ethics of Identity Jay Harris

LT9025 Theoretical Philosophy
LM0940 Neoliberal policies

Venice and the Classical Past Lorenzo Calvelli

FT0062 Epigrafia latina I
FM0058 Epigrafia latina
FM0340 Epigrafia latina
LT0910 Storia moderna

American Literary Expatriates in Europe Glenda Carpio

FM0374 Teoria della letteratura SP
FT0042 Critica e teoria letteraria
LM1960 American cultural studies
LMJ210 US intellectual history
LT001B Letterature angloamericane 1
LT003B Letterature angloamericane 3 mod.1

Nature Joyce Chaplin

LT9025 Theoretical Philosophy

"A libera scelta" e "in sovrannumero" / Elective or extra credits

The following sections outline the possibilities of credit recognition among your elective credits (a libera scelta) and extra credits (in sovrannumero) within your study plan (piano di studio). Please read the relevant section for your Department carefully.

Department of Economics

All CFHSS courses can be taken as electives or for extra credit by all students.

Department of Management

All CFHSS courses can be taken as electives or for extra credit by all students.

Department of Molecular Sciences and Nanosystems

All CFHSS courses can be taken as electives or for extra credit by all students.

Department of Environmental Sciences, Informatics and Statistics

Environmental Science (undergraduate and graduate)

CFHSS course Instructor Elective credits Extra credits
Math 1B Robin Gottlieb YES YES

All other courses may be recognised among elective or extra credits, subject to approval from the Head of Studies (a form will be provided at a later date).

Conservation Science and Technology for Cultural Heritage

CFHSS course Instructor Elective credits Extra credits
The Earth's Climate Carlo Barbante YES YES

All other courses may be recognised among extra credits, subject to approval from the Head of Studies (a form will be provided at a later date).

Computer Science (undergraduate and graduate)

All courses may be recognised among elective or extra credits, subject to approval from the Head of Studies (a form will be provided at a later date).

Department of Philosophy and Cultural Heritage


CFHSS course Instructor Elective credits Extra credits
Nature Joyce Chaplin YES YES
The Ethics of Identity Jay Harris YES YES
Job Discrimination and the Gender Pay Gap Noemi Pace YES YES

Conservation of Cultural Arts Heritage and Performing Arts Management / History of Arts and Conservation of Artistic Heritage

CFHSS course Instructor Elective credits Extra credits
American Literary Expatriates in Europe Glenda Carpio YES YES
Shakespeare's Venice Shaul Bassi YES YES
Venice and the Classical Past Lorenzo Calvelli YES YES
The Ethics of Identity Jay Harris YES YES
Nature Joyce Chaplin YES YES
Venetian Art and the Bible Gordon Teskey YES YES

Work, Social Citizenship, Interculturality

CFHSS course Instructor Elective credits Extra credits
The Ethics of Identity Jay Harris YES YES
Job Discrimination and the Gender Pay Gap Noemi Pace YES YES

Department of Humanities

CFHSS course Instructor Elective credits Extra credits
American Literary Expatriates in Europe Glenda Carpio YES YES
Shakespeare's Venice Shaul Bassi YES YES
Venice and the Classical Past Lorenzo Calvelli YES YES
The Ethics of Identity Jay Harris NO YES
Nature Joyce Chaplin NO YES
Venetian Art and the Bible Gordon Teskey NO YES
Dispute Resolution Marco Licalzi NO YES
Redeeming Keynes Stephen A. Marglin NO YES
Organizational Theory Andrea Pontiggia NO YES
International Business Law Fabrizio Marrella NO YES
Job Discrimination and the Gender Pay Gap Noemi Pace NO YES
Math 1B Robin Gottlieb NO YES
The Earth's Climate Carlo Barbante NO YES

Department of Linguistics and Comparative Cultural Studies

  • Students of European, American and Postcolonial Language and Literature, and Language Sciences can recognise all CFHSS courses as extra credits
  • All other students can have all CFHSS courses recognised as elective credits or extra credits

Department of Asian and North African Studies

All CFHSS courses can be taken as electives or for extra credit by all students.

The Ca' Foscari - Harvard Summer School was established in 2006 in an unprecedented joint venture between two universities eager to develop a unique bond. The programme was to be based on the principle of an equal footing; both universities contributing equally, same number of professors and students, same requirements, same procedures of admission, a board with an equal number of members from each university directing the course of studies.

Over the past 10 summers this unparalleled programme has not only strengthened academic and professional bonds between the two Universities and its students, but has also formed long-lasting memories and friendships across the Atlantic. The uniqueness of the CFHSS comes from its direct cross-cultural exchange, its distinguished academic schedule supported through a rich array of activities and events, and - of course - its magical location!  

Decennial edition

“What was Venice and what is Venice? The center of an Empire, a visitable past, a modern tourist’s extravaganza? Big questions that touched the students, we are being  turned into pioneers, said one of them, pioneers in making Venetian culture new by becoming part of it. They visited San Marco at night, confronted its mosaics with those of Sant’Apollinare in Ravenna, made mosaics, and potteries, took photographs of Venetian types, went along the Brenta, roamed in the lagoon, paused in front of the Carpaccios, the Veroneses and in front of Tiepolo’s Mondo Novo. And congregated in Campo Santa Margherita,  at the end all together rooted for Italy in the soccer world cup.  Friendships in and outside the classrooms, studying hard and helping each other, celebrating July 4th and the Redentore. Understanding differences and embracing similarities. And now, ten intensive years later, this for me is the accomplished mission of the Ca’ Foscari – Harvard Summer School, and it is most deserving of celebration”

Alide Cagidemetrio
Director, Ca’ Foscari – Harvard Summer School 2006 - 2015

In 2015 the Ca' Foscari - Harvard Summer School celebrated its 10th year. The programme organised a weekend of activities and events in order to celebrate, continue, and consolidate the bond that has formed between Venice, Ca' Foscari and Harvard over the years. 

In occasion of the 10 year benchmark, the Summer School also published a collection of works, thoughts, experiences and memories, as recounted by students, Faculty and staff of the programme.