Angelo Maria MONACO
- Position
- Associate Professor
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angelomaria.monaco@unive.it
- Academic discipline
- Museology and Art and Restoration Criticism [ARTE-01/D]
- Website
-
https://www.unive.it/people/angelomaria.monaco (personal record)
- Office
-
Department of Philosophy and Cultural Heritage
Website: https://www.unive.it/dep.fbc
Where: Malcanton Marcorà
Office hours
Students are informed that the reception will be held exclusively in person, both for the assignment of the thesis and for all subsequent revision phases, as well as for the signing of the documents for the internship. Requests for online tutoring are not permitted, nor revisions of material in digital format. IT IS NOT NECESSARY TO BOOK BY EMAIL. The graduate is required to send the material produced in paper format (economic black and white print) for the revision (i.e. the status of the work) to the Professor's mailbox located on the third floor in Malcanton Marcorà, at least 10 days before the date of the reception to which he/she intends to attend.
Presentation letteres are provided not on demand online, but After a meeting with the Professor at Reception in the scheduled timetable for It (i.e. the same above) AMM
Teaching activity current year
Teaching activity previous years
HOSPITALITY INNOVATION AND E-TOURISM [CT9]
Bachelor's Degree Programme
HOSPITALITY INNOVATION AND E-TOURISM [CTR9]
Bachelor's Degree Programme
ECONOMIA E GESTIONE DELLE ARTI E DELLE ATTIVITÀ CULTURALI [EMR3]
Master's Degree Programme (DM270)
ANCIENT CIVILIZATIONS FOR THE CONTEMPORARY WORLD [LT7]
Bachelor's Degree Programme
Activities and research skills
- Academic discipline
- Museologia e critica artistica e del restauro [ARTE-01/D]
- Settore Scientifico Disciplinare (SSD) affine
- STORIA DELL'ARTE MODERNA [L-ART/02]
- Geographic areas in which the research experience mainly applies
- Internazionale: Europa
- Known languages
-
Italiano
(scritto: madrelingua parlato: madrelingua)
Inglese (scritto: intermedio parlato: avanzato)
- Participation in editorial boards of scientific journals/book series
-
1) VA "Venezia Arti", diretta da G.M. Fara, S. Burini, DFBC- Ca' Foscari, Venezia, Italia
2) Immagini nella storia - Collana di studi iconografici, diretta da G. Capriotti, dip. di BC - Università di Macerata, Italia
- Main departmental research areas and fields
-
Area:
Archeologia ed arti Linea:
Arte europea
Area: Archeologia ed arti Linea: Arte moderna
Area: Archeologia ed arti Linea: Arti e letteratura
Area: Beni culturali Linea: Valorizzazione di beni culturali
Area: Studi culturali Linea: Studi culturali
- commento critico del testo dell
-
- Description:
- a critical approach to the Idea del theatro (Venice and Florence 1550) based on the theoretical practice of the analogy
- Keywords:
- Humanities, Art criticism, Art works restoration
- ATECO code:
- [91] - attività di biblioteche, archivi, musei ed altre attività culturali
- Ecfrasi e iconografia nella Venezia del Seicento
-
- SSD:
- ARTE-01/D
- Mapping the Old Masters Paintings. Printed device to geolocate the most relevant paintings in Italy between 17th and 18th centuries.
-
- SSD:
- L-ART/04
- Per una tassonomia delle immagini di memoria nell'Idea del theatro di Giulio Camillo Delminio (ediz. Venezia 1550)
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- SSD:
- L-ART/04
- Religion and Censorship in Early Modern Art
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- SSD:
- L-ART/04
- Rinascimento di traduzione nel Salento del XVI secolo
-
- SSD:
- L-ART/02
- Salus Electis. Il fonte battesimale del Museo diocesano di Otranto. Capolavoro del Rinascimento di traduzione in un'epoca di riforme
-
- SSD:
- L-ART/02
Publication highlights
Monaco Angelo Maria SALUS ELECTIS. Il fonte battesimale di Otranto per Pietro Antonio di Capua. L'opera, la committenza, la censura , Firenze, Edifir, vol. 1 (ISBN 9788892802254)
2025,
Scientific monograph or treatise - ARCA card: 10278/5098835
Angelo Maria Monaco Refining a vernacular idiom and the
endless “questione meridionale”.
A focus on Francesco Negri Arnoldi’s
critical approach to Southern Italian
Cinquecento Sculpture , Art history and discourse on the centre and periphery AN HOMAGE TO LJUBO KARAMAN 1886—1971, Zagreb, Croatian Society of Art Historians, pp. 103-121, Convegno: Art history and discourse on the centre and periphery AN HOMAGE TO LJUBO KARAMAN 1886—1971, 19-21 maggio 2022 (ISBN 978-953-6089-57-4)
- URL correlato 2024,
Article in Conference Proceedings - ARCA card: 10278/5102248
Monaco Angelo Maria The Rhetorical Index in the Portraits of Mehmed II. Some Episodes between Words and Images, from the West Shore of the Mediterranean, in Images in the Borderlands: The Mediterranean between Christian and Muslim Worlds in the Early Modern Period, ed. by Ivana Čapeta Rakić and Giuseppe Capriotti, MEMEW 1 (Turnhout: Brepols, 2022), pp. 197–222 in Angelo Maria Monaco, Images in the Borderlands: The Mediterranean between Christian and Muslim Worlds in the Early Modern Period, Turnhout, Brepols Publishers, pp. 197-222 (ISBN 978-2-503-59508-5)
DOI 2022,
Book Article - ARCA card: 10278/5007040
Monaco Angelo Maria Ragionamenti intorno a l’Idea del theatro di Giulio Camillo Delminio. Lavori in corso in STORIA DELLA CRITICA D'ARTE, vol. Annuario SISCA 2020, pp. 39-55 (ISSN 2612-3444)
- URL correlato 2020,
Journal Article - ARCA card: 10278/3738507
Monaco Angelo Maria Giacomo Barri "francese" e il suo "Viaggio pittoresco d'Italia". Gli anni a Venezia di un peintre-graveur scrittore d'arte nel Seicento , Firenze, Edifir (ISBN 9788879705943)
2014,
Scientific monograph or treatise - ARCA card: 10278/3735867
List of publications
Curriculum vitae
Angelo Maria Monaco (1976) (attainment of National Scientific Qualification for university association 07.04.2017, competition sector 10 / B1, History of Modern Art and History of Criticism) graduated in Museology and then received a doctorate from the University of Lecce under the guidance of Massimiliano Rossi.
He received the title of Master of Art (MA) at the Warburg Institute in London, where he was later a fellow of the Accademia dei Lincei and British Academy (2009).
Since 2005 He has been an expert on the subject ('cultore della materia') for the chairs of Museology and History of Art Criticism, he was the holder of a two-year post-doctoral research grant on sources for art literature in the seventeenth century, at the University of Salento (2010-2012 ).
Since 2008 he has been scientific curator and manager of the online platform www.patrimoniolatente.eu: a technological tool for the enhancement of 16th century painting in the dioceses of Salento.
He was a member of the historical-artistic research unit of PRIN 2008 "Orlando Furioso and its translation into images. Italian and European Fortune ”of the Scuola Normale Superiore of Pisa.
He is the author of numerous scientific publications. There are two monographs: the first, from the degree thesis on the museological aspects relating to the cult of the relics of the martyrs of Otranto: 'The Celestial Jerusalem of Otranto. The myth of the eight hundred martyrs in its memorial reconfigurations' (Series of Studies of the Department of Heritage, Arts and History of the University of Salento, Galatina 2004); the other, from the postdoctoral research activity, is a monograph on Giacomo Barri, painter, engraver and art writer in Venice in the seventeenth century (Edifir, 2014). He is also the author of essays in proceedings of international study conferences, in exhibition catalogs and articles in group A scientific journals. He has carried out professional work at the CTL of the Scuola Normale Superiore of Pisa (2014-2015), collaborating with Lina Bolzoni on the composition of the iconographic appendix of the critical edition of the Idea del Theatro by Giulio Camillo Delminio (Adelphi, 2015).
His research topics concern art literature, museology in its typological aspects, the circulation and reception of iconographic sources between the sixteenth and seventeenth centuries, art in the sixteenth century along the Adriatic routes.
Since 2012 he has been a member of S.I.S.C.A. (Italian Society of the History of Art Criticism).
Since 2021 is editor chief of Venezia Arti, scientific review of the Department of 'Filosofia e Beni culturali', Ca' Foscari.
Since 2023 is a ICOM member.
since 2024 is Director (Early modern section) of Venezia Arti, scientific review of the Department of 'Filosofia e Beni culturali', Ca' Foscari.
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