Arianna CANDEAGO

Position
Adjunct Professor
E-mail
arianna.candeago@unive.it
Website
https://www.unive.it/people/arianna.candeago (personal record)
Office
Department of Philosophy and Cultural Heritage
Website: https://www.unive.it/dep.fbc
Office
Ca' Foscari School for International Education
Website: https://www.unive.it/pag/9915/

Office hours

The teacher is available before and after each lesson. Students who would like to meet the teacher at a different time can contact her by email to arrange an appointment.

Teaching activity current year

Teaching activity previous years

SUMMER SCHOOL SIE [SUM]
Corso di Perfezionamento

FOUNDATION YEAR [FOY]
Corso di Formazione (DM270)

Activities and research skills

Publication highlights

Arianna Candeago Il patrimonio artistico veneziano in epoca asburgica tra dispersione e musealizzazione. Nuove prospettive di ricerca in MDCCC 1800, vol. 14 (2025), pp. 41-55 (ISSN 2280-8841)
DOI - URL correlato 2025, Journal Article - ARCA card: 10278/5106792


Arianna Candeago La mobilitazione degli attori culturali nella genesi del moderno Carnevale di Venezia. Un’analisi retrospettiva , Overtourism e nuovi equilibri del turismo contemporaneo. Una prospettiva multidisciplinare, Milano, Franco Angeli, pp. 141-160 (ISBN 9788835188599)
- URL correlato 2025, Book Article - ARCA card: 10278/5106795


Arianna Candeago Influenze veneziane in area montana: il ciclo cristologico della chiesa di Santa Croce in Belluno , San Nicolò dei Mendicoli. Società, arte e devozioni ai margini di Venezia, Roma, Viella Libreria Editrice, vol. 10, pp. 219-236, Convegno: San Nicolò dei Mendicoli. Società, arte e devozioni ai margini di Venezia, 1-3 dicembre 2022 (ISBN 979-12-5701-089-8)
2025, Article in Conference Proceedings - ARCA card: 10278/5076322


Arianna Candeago La chiesa di S. Croce di Belluno nel Cinquecento: arte e devozione nell’epoca della Controriforma in ARCHIVIO STORICO DI BELLUNO FELTRE E CADORE, vol. 94, pp. 41-74 (ISSN 0392-2065)
2024, Journal Article - ARCA card: 10278/5054400


Arianna Candeago Chiara Bombardini, Pietro Gradenigo e i Notatori. «Annotazioni curiose» notizie e appunti per l’arte a Venezia nel Settecento, Prefazioni di Andrea Tomezzoli e Monica Viero, Sagep Editori, Genova 2023, XI + 641 pp. in DICIOTTESIMO SECOLO, vol. 9, pp. 237-239 (ISSN 2531-4165)
DOI 2024, Review in magazine - ARCA card: 10278/5065121


List of publications

Curriculum vitae

Arianna Candeago studied History of the Arts and Conservation of the Artistic Heritage at Ca' Foscari University, focusing on the artistic relations between Venice and the mainland between the 16th and 19th centuries, with particular attention to the province of Belluno.

At the same university she obtained her PhD in History of the Arts cum laude, defending a thesis on the Venetian collector Girolamo Ascanio Molin and the erudite debate in the Veneto area between the 18th and 19th centuries.

She acquired post-doctoral research experience at the Kunstgeschichte Institut of the Goethe Universität Frankfurt am Main and at the Department of Management of Ca' Foscari, where she developed, as a research fellow, a project on the antiquarian trade at the end of the ancient regimes and the identity values linked to the rediscovery of antiques.

She also worked as a cataloguer at the Fondazione Musei Civici in Venice, after obtaining specific training through courses activated by the Veneto Region and the Fondazione Federico Zeri in Bologna.

During this period, she has presented her research at specialised national and international conferences, organised by the Institut national d'histoire de l'art, the Research Centre of the Slovenian Academy of Sciences and Arts, the Società Italiana di Studi sul Secolo Diciottesimo, and the Universities of Bologna, Trieste, Udine, Verona and Venice, among others; and she has shared the results through essays in miscellaneous volumes and articles in scientific journals.

Her main areas of research include Venetian collecting in the 18th and 19th centuries, with a particular focus on the art and antiques market at the time of the fall of the Serenissima; and the phenomena of secular and religious patronage in the Veneto area between the 16th and 18th centuries, examined from an interdisciplinary perspective, strongly indebted to social and economic history.

She is a member of MACLAB – Laboratory of Management of Arts and Culture – of Ca' Foscari University, as well as of the editorial board of the international scientific journal MDCCC1800, recognised by ANVUR as class A in the 10/B1 and 08/E2 areas.

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