About

The Centre for Studies in Russian, Central Asian and Caucasian Art (CSAR) – officially inaugurated on March 6, 2011 – is one of the research centers of the Department of Philosophy and Cultural Heritage at Ca’ Foscari University of Venice.
The Centre promotes interdisciplinary research activities and international scientific cooperation aimed at the study of the artistic cultures of its areas of focus. These activities take the form of conferences, academic meetings, scholarly publications, and exhibition projects, which have long established CSAR as a distinguished point of reference in the international field of art historical studies.

The Centre for Studies in Russian, Central Asian and Caucasian Art (CSAR) – officially inaugurated on March 6, 2011 – is one of the research centers of the Department of Philosophy and Cultural Heritage at Ca’ Foscari University of Venice.

The Centre serves as a permanent space for interdisciplinary dialogue and scholarly exchange, fostering interaction among researchers, students, museum professionals, and curators, and promoting new research perspectives on the artistic cultures that lie at the core of its institutional mission.

Over the years, CSAR has consistently and progressively developed a coherent trajectory through the reassessment of established cultural geographies, the strengthening of international scientific cooperation, and the production of rigorous and innovative knowledge on contexts that remain underexplored in Western scholarship.

The Centre’s activities are distinguished by an interdisciplinary approach grounded in the semiotics of culture: it integrates art history, visual studies, and cultural heritage studies with the collection of literary sources, historical studies, and archival documents. It also promotes direct engagement with works of art, with the aim of interpreting artistic production as an expression of broader social, political, and cultural dynamics. In doing so, it contributes to overcoming Eurocentric perspectives and advances a transnational and dialogical understanding of modernity.

Over fifteen years of activity, CSAR has established and consolidated a prominent international profile: more than 60 exhibitions have been organized or co-organized, many of them internationally touring; numerous film festivals and retrospectives have been hosted; over 40 volumes have been published, including exhibition catalogues, conference proceedings, and translations of sources and texts. The Centre has also participated in nearly 20 international conferences, often of significant scholarly relevance, and has promoted around twenty seminars, guest lectures, and study meetings addressed to both students and the general public. These achievements have also been made possible thanks to a well-established network of international partnerships. The Scientific Committee brings together art historians, museum directors, curators, critics, and Slavists from universities and institutions across several countries, including Italy, the United States, and Germany.

Venice, with its historic role as a crossroads between Europe and Asia, provides a natural and strategic setting for these activities, reinforcing the Centre’s vocation for intercultural exchange. Within this framework, CSAR positions itself as a platform for redefining research perspectives, enhancing previously underrepresented narratives, and promoting a cultural dialogue capable of crossing geographical and disciplinary boundaries.

“Quali colombe dal disio chiamate…” Visions and Sounds between Russia and Italy: Dante, Tchaikovsky, Martini. Multimedia concert led by maestro Maurizio Baglini. Organizers: Silvia Burini, Giuseppe Barbieri. Theatre Ekaterina II, The State Hermitage, St Petersburg, 2015.
Exhibition “Kandinsky. the Wandering Knight. On his Journey towards Abstraction” // Curators: Silvia Burini, Ada Masoero, MUDEC, Museo delle Culture, Milan, 2017
“A Merry-go Round of Muses: Yuri Lotman and the Arts” // International conference, Ca’ Foscari University of Venice, 2013

Organigramma

Matteo Bertelé

Matteo Bertelé

Deputy Director

Angela Bianco

Angela Bianco

Head of Educational Projects

Scientific Secretariat

Scientific Committee

Antonia Bacchetti

Antonia Bacchetti

(Paris)

Ekaterina Bobrinskaya [RUS]

(State Institute for Art Studies, Moscow)

John Bowlt [ENG]

John Bowlt [ENG]

(University of Southern California, Los Angeles)

Patrizia Deotto

 (University of Trieste)

Cristiano Diddi

(Sapienza Università di Roma)

Aldo Ferrari

(Ca' Foscari University of Venice)

Anna Frants

Anna Frants

(Miami)

Carlo Frappi

(Ca' Foscari University of Venice)

Elena Gubanova

Elena Gubanova

(San Pietroburgo)

Teresa Iarocci Mavica

Teresa Iarocci Mavica

(Roma)

Sergey Kishchenko

Sergey Kishchenko

(Venice)

Nicoletta Misler

Nicoletta Misler

(Roma-Los Angeles)

Sara Mondini [ENG]

(Ghent University, Belgium)

Alessandro Niero

(University of Bologna)

Marco Olivi

(Ca' Foscari University of Venice)

Ada Raev [DEU]

(Institut für Slavistik, Otto-Friedrich-Universität Bamberg)

Marco Sabbatini

(University of Pisa)

Stanislav Savickij

Stanislav Savickij

(Universität Tübingen/Ruhr-Universität Bochum)

Bobirmirzo Sayomov

Bobirmirzo Sayomov

(Uzbekistan Art&Culture Development Foundation)

Olga Shishko

(Ca' Foscari University of Venice)

Vlad Strukov

(University of Leeds)

Lucia Tonini

(University of Pisa)

Zelfira Tregulova

Zelfira Tregulova

(Moscow)

Maria Tsantsanoglou

Maria Tsantsanoglou

(MOMus-Museum of Modern Art-Costakis Collection, Salonicco)