CULTURES AND SOCIETY OF ENGLISH LANGUAGE

Academic year
2018/2019 Syllabus of previous years
Official course title
SOCIETA' E CULTURE DI LINGUA INGLESE
Course code
LT2030 (AF:232983 AR:117946)
Modality
On campus classes
ECTS credits
6
Subdivision
Class 2
Degree level
Bachelor's Degree Programme
Educational sector code
L-LIN/10
Period
1st Semester
Course year
3
Where
VENEZIA
Moodle
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Title. Tales of the Supernatural

Starting from an analysis of Mary Shelley’s Frankenstein, the aim to this course is to provide an introduction to the Gothic novel and to the ghost story. Varied aspects related to the supernatural – the haunting, the psychoanalytical, and the traumatic – will be also explored in order to show how both the Gothic and the ghost story challenged the ideals of logic, restraint, accuracy, and decorum which dominated English literature. Designed to provoke dread an by bringing about a crisis in which fictional characters are confronted by the spirits of the returning dead, the ghost story increasingly featured familiar and domestic settings, while terror came to be located in the mind, becoming part of a state of consciousness.
Primary Sources

Mary Shelley, FRANKENSTEIN OR THE MODERN PROMETHEUS (1831)
Edizione consigliata: M. Shelley, Frankenstein, with an introduction and Notes by Maurice Hindle, London, Penguin, 2003

Joseph Sheridan Le Fanu, GREEN TEA (1872)
Edizione consigliata: J.S. Le Fanu, Tè verde, a cura di Michela Vanon Alliata, Venezia, Marsilio, 2017

Edgar Allan Poe, THE TELL-TALE HEART (1843), THE BLACK CAT (1843)
Edizione consigliata: Edgar Allan Poe, The Fall of the House of Usher and Other Stories, Vintage Classics, 2010.

R.L. Stevenson, MARKHEIM (1884) any edition

Oscar Wilde, THE CANTERVILLE GHOST (1887)
Edizione consigliata: Oscar Wilde, Complete Short Fiction, ed. Ian Small, London, Penguin, 2003

Bibliografia secondaria

J. Briggs, Night Visitors: The Rise and Fall of the English Ghost Story, London: Faber, 1977.

A. K. Mellor, “Making a ‘monster’: an introduction to Frankenstein”, in The Cambridge Companion to Mary Shelley, Cambridge, Cambridge University Press, 2003, pp. 9- 25.

C. Baldick, “The Politics of Monstrosity”, in Frankenstein, ed. F. Botting, Houndmills, Macmillan, 1995, pp. 48-67.

M. Vanon Alliata, ed. J.S. Le Fanu, Tè verde, Venezia: Marsilio, 2017, pp. 9-41.

M. Vanon Alliata, Haunted Minds: Studies in the Gothic and Fantastic Imagination, Verona: Ombre corte, 2017, pp. 11-29; 96-113.

R. Mighall, Oscar Wilde, Small, Oscar Wilde: Complete Short Fiction, Penguin, 1994, pp. pp. vii-xxx.

Bibliografia integrativa per gli studenti non frequentanti

Italo Calvino, “Introduzione”, Racconti fantastici dell’ottocento, Milano, Mondadori, 1983, pp. 5-14.

J. Sullivan, Elegant Nightmares: the English Ghost Story from Le Fanu to Blackwood, Athens: Ohio , Ohio University Press, 1980, pp. 11-31.

C. Benfey, Poe and the Unreadable: The Black Cat and The Tell- Tale Heart”, in New Essays on Poe’s Major Tales, ed. K. Silverman, Cambridge: CUP, 1993, pp. 27-43.
Exam
Students will be assessed by a final written exam consisting of 2 open questions, 3 critical analysis of a given passage, and finally of a short translation from English into Italian. Non-native English speakers are requested to write a critical analysis of the given passage.
English
written
This programme is provisional and there could still be changes in its contents.
Last update of the programme: 25/05/2018