GOLDONI Daniele

Qualifica Professore in quiescenza
E-mail goldoni@unive.it
Fax 041 234 7296
Sito web www.unive.it/persone/goldoni (scheda personale)
Struttura Dipartimento di Filosofia e Beni Culturali
Sito web struttura: https://www.unive.it/dip.fbc
Sede: Malcanton Marcorà

    

Daniele Goldoni teaches Aesthetics of the Arts in EGART and Aesthetics in the master MASVIC – Ca’ Foscari University, Venice. He is art director of Ca’ Foscari’s JazzFest and musical activities for improvisation.

He wrote monographs on Marx (Il mito della trasparenza, Unicopli, Milan 1982), Hegel (Il riflesso dell’assoluto, Guerini, Milan 1992) and Hölderlin (Filosofia e paradosso, ESI, Neapolis 1990; Gratitudine. Voci di Hölderlin, Marinotti, Milan 2013). With R. Shusterman and R. Dreon he has co-authored the book Stili di vita, Mimesis, Milan 2012.

Papers on:

– philosophy: Che cosa significa aver ragione in filosofia? Un esempio, 2016.

– aesthetics: Arte come un gesto: singolare e condiviso, 2016

– media-induced changes in contemporary life and culture: What media do to culture, 2015; Che cosa è un medium? 2015; In ritardo in orario fuori orario 2016.

– philosophy, economy, politics: Ancora una crisi del pensiero Europeo? 2011; Estetizzazione dell’economia, 2013; A Musical-Philosophical Approach to Creativity & Economy: An Ethical Turn, in: (A. Cusinato, A. Philippopoulos Mihalopoulos (eds.): Knowledge-creating Milieus in Europe, Springer 2015;
– cultural heritage: Gli indigeni, noi, la pace. Una critica dei concetti di cultura nelle Convenzioni UNESCO (2008); Cultural responsibility, 2012;

– philosophy and music: Adorno (e Heidegger): linguaggio e musica, 2005; Wittgenstein: frase musicale e scrittura filosofica, 2006; Filosofia e musica: un amore difficile? 2006; Fragole d'inverno, 2011; Fonoperiferie, 2011; John Cage. Che cos’è contemporaneo? 2013, Comporre e improvvisare: dove sta la differenza? 2013; Liberazione della vita, 2015; Abitare l’improvvisazione, 2015.

Speaker at: University of Florida (January 2011); CBS (Copenhagen) (1.10.2015); EURAM Conference 2015 (Warsaw 18.06); Université Paris VIII (06.05.2015); Villa Vigoni conference "Fiktion und Simulation (27-30.04.2015); international seminar "Towards a European Program on Entrepreneurship, Humanities and Social Sciences" (Venice 24.25.09.2015); EURAM Conference 2016 (Paris, 03.06.2016).

From 2004 to 2009 he organized seminars with live music in conjunction with the Contemporary Music Festival of the Venice Biennale, a performance of Elliot Sharp's composition Em/Pyres, 2006, and ComposAzione, 2009: contemporary music compositions for an improvisation ensemble. Since 2009 he is the person in charge of musical events for Ca’ Foscari University, leading the Ca’ Foscari workshop on improvised music (with guests the likes of Pauline Oliveros and Giancarlo Schiaffini, among others), and the university ensemble Elettrofoscari. He organized the Ca’ Foscari Jazz Festival in 2013, 2014, 2015, 2016. As a musician, he performs in “free improvisation” and experimental ensembles as well as in groups focusing on a more traditional jazz repertoire.